Justin Anthony Spenner, Baritone, has been hailed as a "wide and anxious ride" (Star Tribune). At home with Schubert, as he is with Stockhausen, Justin Anthony Spenner's appearances run the gamut from recital and oratorio staples to world premieres of experimental music.
Recent stage credits include Trevor (In the Midst of Things); Man's Voice (The Sky Where You Are) and John Sorel (The Consul) with An Opera Theatre; Schaunard (La Bohème) with Theater Latte Da; Father (The Golden Ass/World Premiere) with 113 Composers Collective; Joey (The Most Happy Fella) and Guglielmo (Cosi fan tutte) with Skylark Opera Theatre; Morales/Dancaïro (Carmen) with Pine Mountain Music Festival; and 2nd Priest/Armored Man (Die Zauberflöte) with LAMF.
Soloist credits include his solo recital Like Sun Through Eyelids; Das Fliegenpapier and Strange Autumn (Steven Takasugi) and Maulwerke (Dietrich Schnebel) with 113 Composers Collective; Coffee Cantata (Bach) and Apollo e Dafne (Handel) with Le Grande Bande; Niccolai Messe/Coronation Mass/The Messiah (Haydn/Mozart/Handel) with St. John's Lutheran Music Series; Choral Fantasy (Beethoven) with St. John's University; and Ein Deutsches Requiem (Brahms) with South Metro Chorale.
His self-produced work focuses on normalizing conversations about mental illness/trauma and destigmatizing mental health treatment (I Enter As A Stranger; A Winter's Journey). In addition to performing, Justin keeps an active private studio, develops Opera Immersion classes, and works as a grant writer/consultant for various Twin Cities non-profits and individual artists. He is the host of Is This Music?!?!, a podcast featuring conversations with composers and performers of experimental music.