20th Century Nationalists: Americans
The United States evolved a national style in 20th century, with special effort in the20Õs.
á There had been some previous efforts to establish American style with music invoking Native Americans, African-Americans (e.g. through spirituals)
á
Americans had traditionally gone to Europe to
study music; we have a prominent generation in
á
George Gershwin(1898-1937): from
á In 1923 he was invited to participate in ÒAn Experiment in Modern Music,Ó NY concert project. He composed his first piece for the concert hall, Rhapsody in Blue; sketched for piano, arranged by Ferde GrofŽ, arranger for Paul Whiteman band. Orchestration was borrowed from Jazz, as were harmony, blue notes, etc.
á Soon after he wrote a piano concerto, the Concerto in F. Melodies are reminiscent of show tunes from his musicals.
á This music gives a valid option in the search for an American Style of concert hall music; other countries used native style, and jazz was a native American style.
á Aaron Copland(1900-1990)
á
Copland went to
á Copland came out with Piano Concerto in 1926 (strong jazz feel, inspired by GershwinÕs Concerto in F), but shortly after Milhaud pronounced jazz to be ÒpassŽ;Ó Americans abandoned Jazz as the idiom for their concert hall style.
á
Copland turned to folk elements (like most
nationalist composers); wrote a series of works with North American or Latin
American flavors: ballets: Rodeo, Billy the Kid, Appalachian
Spring, orch suite El
Salon Mexico.
á
Appalachian Spring has Appalachian
folk music in it, especially Simple Gifts, a Shaker melody.
á
Rodeo is a western theme
ballet. Western feeling is conveyed
by square dance details (open5ths etc).
Hoe Down movement is famous
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Later in life (after 1950) Copland wrote some
serial music, but also continued to write highly accessible works as well (e.g.
Three Latin-American Sketches)
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Roy Harris(1898-1979): Wanted to write
the ÒGreat American SymphonyÓ
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Wrote lots of music with programmatic titles,
e.g. Folk Song Symphony (4thof 14)
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One ÒAmericanÓ aspect is the wind-band scoring
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He explored different resources than Copland:
modal melodies, 16th Century counterpoint
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Best known and best symphony is Symphony
No. 3 (In One Movement)