Outline

	Topic	*Work to Complete Before* Class on this Date**
	Topic	Reading/Written Assignments Texts: Karlin: Listening to Movies (Text Rental) Michael Schelle: The Score WWW-Refers to World Wide Web Sites Reserve Materials-can be checked out on the first floor of the LRC for two hours Or: E-Reserve
	UNIT ONE
1/25	Introduction: Overview of Class Material	Browse and familiarize yourself with class web pages Take some headphones to a lab and listen to one of the RealAudio Files How to use Public Folders Make a post to the Class Public Folder-Introduce yourself to the class-talk about your major, musical interests, musical experience (if any), and why you are taking this class. Electronic Reserve: Aaron Copland on Film Music
1/27	The Function of Film Music	Electronic Reserve: Aaron Copland on Film Music
2/1	How to Listen to a Movie Scene Analysis: Dances With Wolves	Karlin: 67-84 The Score-Page 1-9
2/3	Continued from 9/9	Karlin: 67-84 Electronic Reserve: Kalinak: The Language of Music PowerPoint Presentation: Musical Terms-Kalinak in the class public folder under PowerPoint Kalinak Musical Terms (PowerPoint in Web Page form)
2/8	In Class Film: The Hollywood Sound
2/10	The Rise of the Symphonic Film Score
2/15	The Golden Age of Film Music: Music of Korngold Scene Analysis: Robin Hood	Karlin: 92-99 Electronic Reserve: Erich Wolfgang Korngold WWW-Korngold Web Page
2/17	Korngold Continued	Karlin: 92-99 Electronic Reserve: Erich Wolfgang Korngold
2/22	Planning the Score Scene Analysis: Edward Scissorhands	Karlin: 3-16
2/24	Film Sound Scene Analysis: The Untouchables Review for Exam One	Karlin: 137-144 Electronic Reserve: -Fundamental Aesthetics of Sound in the Cinema-Bordwell and Thompson
3/1	EXAM NO. 1 UNIT TWO The Silent Film
3/3	The Film Music of Miklos Rozsa	Karlin 104-110 Electronic Reserve: Miklos Rozsa
3/8	In Class Film: Music for the Movies: Bernard Herrmann	WWW-Music of the Fears-Readings to be Announced WWW-Bernard Herrmann Page
3/10	North by Northwest and Citizen Kane-Herrmann	WWW-Music of the Fears-Readings to be Announced
3/15	Herrmann Continued: Music of Psycho
3/17	Composing the Music	Karlin: 17-41
3/18-3/25	Spring Break
3/29	Recording the Music	Karlin: 48-56
3/31	Jerry Goldsmith	In Class Film: Jerry Goldsmith: Film Music Masters
4/5	Goldsmith Continued
4/7	Women Composers Review for Exam Two	WWW: Women in Film Music WWW: Shirley Walker WWW: Rachel Portman The Score-Page 359-381
4/12	EXAM NO. 2 Women Composers continued
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4/14	Composer/Director Collaborations-Williams and Spielberg	WWW-John Williams K: 129-137
4/19	Composer/Director Collaborations-Williams and Spielberg	WWW-John Williams K: 129-137
4/21	Composer/Director Collaborations-Williams and Spielberg-continued Music 308 Presentations	WWW-John Williams K: 129-137
4/26	Film Music Reviews Due The Newman Family	The Score-Page 267-293 WWW-Thomas Newman
4/28	The Newman Family	WWW-Thomas Newman
5/3	From the Concert Hall to the Movie Theater: Corigliano and Goldenthal	WWW-Corigliano WWW-Goldenthal WWW-Goldenthal Acceptance Speech
5/5	Contemporary Composers: Howard, Zimmer and Others	The Score-Page 175-197 WWW-James Newton Howard Article WWW-James Newton Howard Article
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5/10	New Trends-Wrap Up and Review	Electronic Reserve: New Yorker Article
12/18	Exam no. 3: 10:15-12:15 (non-cumulative)	There will be no options to take this test another time!

This page is to be used for educational purposes only. It is intended for students enrolled in Music 103/308 at UW-Stevens Point.

Music in Film Class Outline Spring 2005

Music in Film
Class Outline
Spring 2005