OCTOBER 2001
American Suzuki
Talent Education Center
AMBASSADOR
UNIVERSITY OF WISCONSIN—STEVENS POINT
COLLEGE OF FINE ARTS AND COMMUNICATON
The best in
performance, creativity, and expression
By Dee Martz
I could feel the excitement building as the summer slowly moved toward the beginning of August. This year at the American Suzuki Institute we planned to launch Margery V. Aber’s newly published book Hip! Hip! Hooray! 30 years with the American Suzuki Institute in Stevens Point, Wisconsin with a concert and a series of book signing events. After years of work by Miss Aber with the assistance of Kay Kalke, Gail Shoemaker and many others, this book would be in our hands and its many stories would touch our hearts. I grew even more eager when I saw that the cover included a photograph of Margery leading “Hip, Hip, Hoorays.” That wonderful smiling face invites us all to open the book and find out more about the great adventure of her life, starting and nurturing the Suzuki program in Stevens Point.
The 2001 Institute began as planned with a fabulous recital presented by some of Miss Aber’s former students who are members of the ASI faculty: Corine Brouwer, Patricia D’Ercole, John Klein and San San Lee Kletzien. Each of them also wrote something about their experience studying with Miss Aber for the program. Although I enjoyed the music I loved the impromptu storytelling that happened as each performer reminisced about being one of Miss Aber’s students. The evening’s program drew to a close when many members of the ASI faculty performed the first movement of the Bach Concerto for two violins and the Suzuki Twinkle Variations. As far as I could tell there was not a dry eye in the house as the heartfelt Twinkle performance was clearly a thank you to Miss Aber from the faculty, all of whom had been changed in some way by the gifts of this very special woman.
However, the true highlight of the evening happened after the official program ended. Margery Aber took this opportunity to speak to the audience and in her own way special motivated all of us to appreciate and yet to strive for more. When she spoke, the crowd hushed as if each member knew that this would be something special. This is what she said:
“I want to mention something about each of those kids who played tonight – kids! They are my kids. You know, some of us have children, and some of us don’t, but those are my children. And, you know, Dr. Suzuki always said, “You don’t teach children to become professionals, you teach them to be noble human beings. You make them into something…make them…have their hearts show.” And I feel that these people all showed their hearts while they played. And when you who are their students, uh, find that you’ll…you’ll see the compassion that they have, the sympathy and the sensitivity that they have for each one of you. But I want to say that, you know, you’re supposed to not ever have a favorite student, and so I have to admit that I did have a favorite student – all six of them! (laughter) But then I had other favorites, too. That was their parents.
You know, parents are sooo marvelous. And you can do so much help each other, your husbands, your other children, your relatives – you can do so much for them. But, you are the ones who do the most for your own children, and you have to be able to appreciate even the slightest improvement.
I can hear lots of improvement in each one of these performers – more sensitivity, more depth of tone, more beautiful phrasing, better intonation…See, I could tell you some stories about each one of them (laughter), but it’s maybe better if I don’t. (laughter) They might gang up on me on the way out (laughter), and I can’t run quite so fast right now. (laughter) But, anyway, all of you that have just played, thanks so much, and thank all of you for coming out to this concert. It was great! Really great!”
Much to our surprise Margery V. Aber died on August 16th, less than 10 days after the recital and less than 10 hours after she led her final “Hip! Hip! Hooray!” It is true that she is gone but she left us with so much. She influenced thousands of people who one by one gained understanding of the Suzuki philosophy and were moved to change their lives because of it. Her actions stand as a monument to the idea that one person can make a difference. Miss Aber, “Hip, Hip, Hooray!” from all of us.
Now that fall has come and school is back, I
have been surprised by how many have been refreshed in the return to the
familiar order of work. Several parents
have expressed to me, "Oh, boy!
It's great to get back the routine again!" Students also are ready to get back to
work. Its great to see their
anticipation for a fulfilling new school year.
This freshness of spirit is a special time, that when nurtured in the
right way, can lead to great accomplishments.
Parents and children are ready to have new goals set before them. Now is the time to make appropriate
commitments to new goals.
Already I have seen some students get into goal
setting early. During the Institute,
several made commitments with their friends to practice every day for a hundred
days straight, without missing a single day!
Doing this completely voluntarily, they are being rewarded with an
eagerness to do more than they thought they could do before. Thirty days and counting! They are really excited!
Some goal setting comes very naturally. For
example, you can always do more of what you have been doing well. But goal setting is more than that, because
we also need to think about doing more of what we haven't been doing well, and
that is harder. So goal setting has to
begin with some self-evaluation. Besides
what you think yourself, remember what your teacher has been saying to you! Here are some areas that you might want to
consider setting goals for:
Environmental goals: The Suzuki Method has always emphasized the
development of a nurturing home environment.
Practically, this means setting goals to improve the amount of classical
music heard in the home, establishing practice times and places without
distractions, and participating in local concerts. Now is the time to check your calendar and
schedule upcoming performances. Setting
a date for giving a home concert and sharing your music to your neighbors and
friends is a wonderful goal.
Practice
goals: At each
level of ability, there is an appropriate amount of practice that will ensure
progress. Your teacher will help set
different practice goals, how much to refine review pieces, how much to
practice tonalization and to work on a new piece, etc. Without practice goals, you might be
concentrating only on the things you are already good at. Consistency is so important in practice, so
schedule a time and a length that will allow you to do it daily.
Technical
goals: This is
mainly what you will get in your lessons, so it is vital that you remember to
take notes. Your teacher will help you
set the right goals here. A popular goal
among many students is to graduate from a book by a certain date. This is fine, but in addition to learning the
notes of the pieces, there are essential techniques that must be mastered at
each stage, such as posture, vibrato, intonation, shifting technique, etc. With
technique, the larger goals will only be met as we pay attention to the smaller
goals.
Musical
goals: No
matter how good your technique may get, there are qualities of music that can
only come from understanding musical expression. Music is a language of the heart that
requires a growth in our sensitivity to art.
This comes from listening to great performances and also from what great
performers say about their music.
Actually, growing in this area often entails a getting in touch with the
creative side of your being and your imagination. Along with technical practice, you must begin
to take time to foster your dreams! This
is a difficult goal to measure, but you will know when it begins to happen in
your life.
Character
goals: Dr. Suzuki believed that
learning to make beautiful music could help develop nobility in every
person. Practicing music not only works
to make good sound, but it also works to produce finer attitudes within
us. This happens when we begin to work
consciously on our discipline and character.
Even in simple things, like caring for your instrument, you can develop
steadfastness and greater discipline. A
great quality is service because music is never just for ourselves, but for the
benefit of others. That's why Marathon
can be such a great opportunity for older students to inspire and show an
example to younger students. There are
so many areas of character that music can develop in us. Consider respect for parents and
teachers. Not only does respect make
our lessons go more smoothly, but also it helps us listen and learn much
faster. Another area to grow in is
patience. In music, one of biggest
problem areas is frustration and discouragement about lack of progress. Patience with yourself will carry you
through difficult times in your music so that you may appreciate even small
advances in your skills.
These days, a lot has
been said about how to set goals and how to measure them. Clearly, it is not
wise to set goals too high or too low, or to set too many. But it does help to think about them and plan
a course of action that is directed by balanced approach. Perhaps, it will be useful to set a goal in
each of the above categories so that you may focus on greater achievement in
new areas. Good luck and have a great
new school year!
The
American Suzuki Foundation will be presenting its annual Music of the Masters Dinner on Saturday, October 20. The Stevens Point Holiday Inn will be the
site of the annual event, with cocktails and dinner, live music by the students
and faculty of ASTEC, and lots of items to bid on in the silent auction. The special
host for the evening will be George Frederick Handel, one of the great
composers of the classical era.
The
proceeds from the evening’s festivities will help support the mission of the Foundation,
which is the support of the students and program of ASTEC through scholarships
and grants. Not only will you have a
fantastic evening of great music and company, you will be helping the
Foundation in its important work.
We
hope to see you there. Tickets are
available from Mimi Johnson at the Suzuki House, the UWSP Box Office, and from
all of the board members.
By
Dee Martz
As difficult as it is to believe, it is true that the “Good Morning, Suzuki House, this is Barbara’ voice of Suzuki at UWSP retired on September 27. Every day for nearly 25 years Barbara Ziebell has been ready with a warm smile, a kind word, a clear explanation of all those crazy forms, a gentle reminder of timelines and unending patience no matter what. Barbara has provided living definitions of strong work ethic, team player, lifelong learner, excellent people skills, good listener and Suzuki style teacher. She has always been most comfortable in the background doing whatever it took to make sure that everything was perfectly organized and ready on time. The work that Barbara did enhanced the quality of the Suzuki programs at UWSP yet she was always quick to give credit to everyone around her. At her retirement luncheon with the ASTEC faculty, best wishes and tears all flowed simultaneously as we hesitantly said farewell.
Barbara, thank you for being who you and a Bzillion best wishes for a terrific retirement.
By Dee Martz
After school on Tuesday September 11, 2001 Harry DeBauche walked from P. J. Jacobs Junior High School to the Suzuki House and quietly came through the door of my studio. As I greeted him, Harry seemed smaller and more vulnerable than he had the week before. Perhaps that was because I felt smaller and more vulnerable than I had just a few hours before.
Harry, his mother and I spoke briefly about the events of the day. We were trying to sort things out and to share our feelings, but we were unable to express the complicated emotions that had taken over our minds and hearts. Although the news that we had seen and heard on and off throughout the day was too horrible to comprehend, it was already clear that our lives had been changed forever.
Eventually, I asked Harry to get his viola out of the case because after all Tuesday afternoon is the time he has set aside for his lesson. Once the viola was tuned it was time to begin but neither of us really wanted to go through the ordinary motions of a weekly viola lesson. Harry is a very good reader so I pulled out a book of viola duets and selected music that was clear, optimistic and uplifting.
While we played, the sound of the music began to help us feel just a bit better. There are many things about September 11, 2001 that I will remember for the rest of my life. The only one that I really want to dwell on is the feeling that I had standing side by side with Harry, making music that soothed our souls
By Barbara
Ziebell
At last April’s Festival Concert I was given a very nice retirement send off. Then, during the summer, you would come into the Suzuki House and still see me at the desk. Some of you thought I had come back to help out. In actuality, my retirement was set for October. I was here to help Mimi Johnson get through her first American Suzuki Institute experience. Incidentally, she managed extremely well. I will definitely be retired and out of the Suzuki House by the time you read this article.
It has certainly been my pleasure to have had the opportunity to meet everyone. What a great time to see the children grow from their Suzuki beginning lessons through their graduation concerts. In fact, some of the new Suzuki Moms were Suzuki children when I first started working. Good grief!!
I can’t say good-bye because I tear up each time I say this word. I’ll just say, thanks for the memories. I’ll surely see you at the store, or at a concert, or most definitely at next summer’s American Suzuki Institute concerts and play-ins.
By
Lawrence Leviton
Welcome back cellists. Congratulations to all of
you for all of the exciting things you did with your
cellos this summer. Many of you attended
Institutes-in fact, I think we had record numbers of cellists from the Astec
program. Others attended other music camps and all of you came back this fall
with your batteries recharged and energy for a new year of music making.
Welcome to all of the new cellists in the program. It's great to have you in
the program and I've already enjoyed our lessons and the sensational marathon
from last weekend.
And, speaking of marathons, here's the schedule
for upcoming Marathons:
9 - 9:30 a.m.
Pre-Twinkle
9:30 - 10:15 a.m. Books One through Three
10:45 a.m. - Noon Books Four and Up
Please see me if you need clarification on which
session you should go to. Of course, you are welcome to stay and observe for
the whole morning if you would like. I might even find something for you to do.
Please mark your calendar for the Music of
the Masters Dinner. It's coming up soon on October 20th. Many of the
cellists will be participating and I'll have details and brochures at your
upcoming lessons. I hope you all have a great year.
From the Endpin.....Lawrence Leviton
Suzuki:
Living the Philosophy,
an information series for first-year parents will begin on Sunday, October 7 at
7:00 p.m. in Room A206 of the Fine Arts Center.
Sessions 2 – 6 will be held at 7:30 p.m. in Room 107 of the Suzuki
House.
First-year parents are expected to attend the
first session and at least three of sessions 2 through 6. “Seasoned” parents are welcome and encouraged
to attend any or all sessions.
Future topics and dates include:
November 13, “…First, you gotta create da
mood…”
December 11, “Practicing: The Great Quest for
Consistency Without Boredom”
February 19, “Note Reading 101: A Survival
Manual For Parents”
March 12, “Do You Hear What I Hear”
April 16, “The Art of Reviewing With a
Purpose”
Please mark your calendar and plan to attend.
The
following is a list of upcoming events, please mark your calendar and plan to
attend:
Sunday, October 7 – Suzuki: Living the Philosophy, Parent Orientation, 7:00 p.m., Room A 206, Fine Arts Center.
Saturday, October 13 and Sunday, October 14-Central Wisconsin Symphony Orchestra, “Flutes and Flicks,” 7:30 p.m. on 10/13, 4:00 p.m. on 10/14, Sentry Theater.*
Friday, October 19 – Aber Children’s Scholarship Applications due, Suzuki House, 4:30 p.m.
Saturday, October 20 – Marathon Saturday, 9 a.m. – 12 noon, COFA.
Saturday, October 20 – Music of the Masters Dinner, 6 p.m. cocktails, 7 p.m. dinner, Holiday Inn.
Sunday, October 21 – Suzuki Ensemble and Solo Recitals, 2:00 p.m. and 3:30 p.m., Alumni Room, University Center.
Saturday, October 27 – Halloween Concert, Michelsen Concert Hall, COFA, 11 a.m.
Saturday, November 17 – Marathon Saturday, 9 a.m. – 12 noon. Ask your teacher for your site.
Sunday, November 18 – Suzuki Ensemble and Solo Recitals, 2:00 p.m. and 3:30 p.m., Michelsen Concert Hall, COFA.
Saturday, December 8 – Marathon Saturday, 9 a.m. – 12 noon, COFA.
Sunday, December 9 – Suzuki Ensemble and Solo Recitals, 2:00 p.m. and 3:30 p.m., Alumni Room, University Center.
*Phone 346-4100 for ticket information.
Dee Martz attended
the Suzuki Association of the Americas Leadership Conference in Boulder,
Colorado, May 23 – 28. She served as a
clinician at the Intermountain Suzuki String Institute in Salt Lake City in
June and at the Chicago Suzuki Institute in July. Her three-year term on the Board of Directors
of the Suzuki Association of the Americas began on August 1.
Pat D’Ercole taught
teacher-training courses at the Utah Suzuki Institute in Sandy, Utah, June 7 –
16 and at the Chicago Suzuki Institute in Deerfield, Illinois, June 30 – July
8.
Kyoko Fuller was a
clinician at the Suzuki Strings of Madison Workshop at Madison, Wisconsin in
May, the Peaks to Plains Suzuki Institute at Boulder, Colorado in July and at
the American Suzuki Institute at UW-Stevens Point in August.
Pat D’Ercole was the
coordinator for the 7th International Research Symposium on Talent
Education, which was held on campus on August 11, 2001. The theme of the Symposium was “Applications
of Research in Skill Development:
Developing Competence and Confidence Efficiently.”
Dave Becker and Dee
Martz are serving on the Fine Arts Addition Building Committee. They met with the architects on and off
throughout the summer and will continue to do so as the plans for this big
project develop.
Hip! Hip! Hooray!
30 years with the American Suzuki
Institute in Stevens Point, Wisconsin
By the late Margery V. Aber
Available at the Suzuki Office
$15.00
Kristin Mocadlo is a member of Wisconsin High School Honor Band and participated in its summer Camp at UW-Eau Claire in June.
Christopher and Jennika Marion won the $100 grand prize at the Central Wisconsin State Fair Fiddling Contest. Jennika also won first place in her age division.
Christopher and Allison Patchett and Kelley and Stacey Rolak attended Colorado Suzuki Institute.
Tyler and Spencer Millican attended the Orchestra Camp in the Upper Peninsula this summer.
Monica Asuquo and Ross Moore attended the WSMA Honors Orchestra camp in late June.
Suzuki students were featured in the “Thanks a Million” event on May 16, where John and Patty Noel’s $1,000,000 gift for the Fine Arts Addition was announced. In their remarks, the Noel’s made it clear that the Suzuki program was a very important part of their decision to make such a large donation. Thank you to all the students and faculty who participated in this celebration.
The following are ASTEC students who attended ASI 2001:
|
Monica Asuquo James Banovetz John Banovetz Joseph Banovetz Mary Banovetz Lyndi Benz-Dean* David Cecil* Eric Christensen* Kelsey Christensen Shelby Cronce Michael Crump Naomi Crump Christian Czernicki Jamie Davis* Sally
DeBauche Madeleine
DeBot* Wade
Dittburner |
Wyatt
Dittburner* Chris
Droske Michael
Enright Xue Fan* Forrest
Fleishauer Rebecca
Furdek Emily
Gruselle Nicholas
Guzowski Walker
Guzowski Kristin
Henry Brad Hessler* Billy
Jenkins* Laura Josephson Michael Josephson Benjamin Karbowski* Carolyn Karbowski Emily Karbowski |
|
Jonathan
Karbowski* Ken
Kellner Anna
Krueger* Peter
Krueger* Jacob
Kubisiak Anna
Luetmer Grace
Luetmer* Paul
Luetmer William
Luetmer Bryce Marion Christopher
Marion* Jenika
Marion* Zachary
Markman Zara
Markman Karl
McComas-Reichl* Roy Meyer Spencer
Millican Tyler
Millican* Jane
Mitchell Will
Mitchell* Lindsey
Mocadlo* Katie
Munck* Peter
Munck Courtney
Nenn Quinn
O’Reilly Alex
Oberthaler Natalie
Olson |
Elisa Prebble Maria Prebble Mariah Pursley Brynn Rathjen Alex Reeser Rachel Reichert Kelley Rolak Stacey Rolak Jessica Ryan* Emma Sands Erik Sands Petrea Schedgick Emily Seegert Matthew Seegert Lauren Sheibley Jason Smith Jeff Spaay Karl Spaay Christa Spieth Naomi Tranel Nathan Tranel Sarah Tranel Brian Turner Nakisa Vaezzadeh Parisa Vaezzadeh Sarah Zahn* Matt Ziehr* |
* Students
who performed in recital at ASI.
Book One
Wade Dittburner, Violin
Hannah Locher,
Piano
Michael Enright, Piano
Book Two
Lindsey Mocadlo, Violin
Grace Luetmer, Violin
Rachelle Werth, Piano
Ken Keller, Piano
Emily Karbowski, Piano
Emmalee Boyle, Piano
Book Three
Jonathon Kamps,
Viola
Brad Hessler, Viola
Book Four
Sarah Tranel,
Piano
Book Six
Sarah Zahn, Viola
Book Seven
Wyatt Dittburner, Violin
Anna Luetmer, Violin
Book Eight
Madeleine DeBot, Violin
Congratulations to the all
our graduates.
By Kyoko Fuller
It was the summer of 1967 when the American String Teacher Association brought over fifty teachers to Matsumoto, Japan, to visit Dr. Suzuki and his students and to observe the Suzuki Summer Institute. Among those teachers who stood out in my mind was Margery Aber. I happened to be a Suzuki teacher trainee at that time and I noticed Marge from day one and I kept watching her from a distance.
Marge was a very large-sized lady compared to Japanese women and, it appeared to me, to be an extremely tough person. Even without words, her presence could be felt. Because of my busy involvement teaching at Summer School, I could not get to know her personally (I was extremely shy then). Finally, one evening at a dinner party I deliberately chose to sit right next to her and greeted her with a hello. My heart was pumping! I remember she looked down toward me to say, “You are so tiny you can fit in my suitcase! I’d like to take you to America!” I cannot remember our conversation but we smiled a lot.
Four years later, Margery started the Institute in Stevens Point modeled after Matsumoto and invited me to teach at the first ASI. A year later, after the second Institute, she invited me in to her parent’s home and I met her Mom and Dad. It was a perfect picture of an American farm home. I remember her Mom was doing needlework on a rocking chair in the living room and she would tell many little family stories and showed me the family albums. I was very excited to see many of Marge’s old pictures. She was a beautiful lady! I remember their dinner with delicious corn on the cob. Marge’s family loved eating corn and so did I. Marge gave me a canoe ride in the stream in the back of the house after dinner. I had never been in a canoe before! I tried to capture all the peaceful scenery of Midwestern America while Marge paddled the canoe down the quiet stream. I told her that I was engaged to my boyfriend, David. She told me that she once had a boy friend named David, also, and said “It is a good name.”
Twelve years later, I returned to the Institute and I accepted a position to teach at ASTEC. Marge welcomed all of us, including David and our four children with a picnic at Jordan Park where we at corn on the cob and paddled the canoe. We are grateful to Marge and will miss her very much.
Margery V. Aber
1914 - 2001