Crafting your Messages
with Soundbites
Broadcast
news, television public affairs programs and advertising have compressed storytelling into
ever-shorter time frames. Unfortunately, this limits the amount of information conveyed
and diminishes the comprehensiveness of the story telling. CNNs Headline News
is a reflection of this reductionist approach to communication in the electronic age. Thus, for better or worse, the art
of crafting and delivering messages often boils down to a process of creating effective
sound bites. Learn what is a
soundbite and the dos and don'ts when crafting and developing them.
The Safe
Energy Communication Council (SECC) defines sound bites as: The oral or
written quotes that print or broadcast journalists take and insert into news stories from
the interviews, press releases and materials, and press conference statements or other
statements provided by the messenger.
Alex Chadwick, a reporter for National Public Radios Morning Edition program,
defines sound bites as What you remember. Chadwick believes that Martin Luther
King Jr.s quote, " 'I have a dream.' made an ideal sound bite short
simple and powerful."
Like it or
not, when developing effective sound bites, the need to conform to the brevity of the
broadcast medium is a reality. For
instance, midway through the presidential election campaign of 1992, The Washington Post reported a short item
researched by Kiku Adatto of the Center for Media and Public Affairs at Harvard
University, entitled: The Incredible Shrinking Sound Bite. Adatto found that
during the 1968 presidential race between Hubert Humphrey and Richard Nixon, the average
length of the candidates statements on the evening network news was 42.3 seconds. Twenty years later, in 1988, the
average length of presidential aspirants sound bites had dwindled to 9.8 seconds. By mid-1992, the average sound bite
aired by the evening network news had become a mere 7.3 seconds.
Acknowledging
the variance in cultural dialects, sound bites of about seven seconds translate into
approximately 15 to 20 words. Therefore,
carefully choosing the right words to create effective sound bites is vital. Michael Sheehan, a Washington, D.C.
communications consultant, suggests the following general dos and donts
for developing sound bites:
(1)
Avoid
Rhetoric. Give specific examples;
(2)
Use analogies. The more homespun, the better,
especially on complex issues;
(3)
Use The
Three Cs Colorful words, Clich�s and Contemporary references (current and pop
culture);
(4)
Use One-liners. Not the Henny Youngman type of
one-liners, but well-crafted and thoroughly-practiced sound bites so they can be delivered
smoothly;
(5)
Incorporate
absolutes, superlatives and summary lines where appropriate. Journalists often respond to
definitive statements like The most
, The only
,
The first
, and The best
;
(6)
Use
proportional numbers or use approximate numbers. If a reporter wants to know the
exact numbers, he or she will ask you or review your statements or materials. Proportionate and simple numbers are
much easier to remember. That
is why the Crest toothpaste ad creators use the phrase, Four out of five dentists
;
(7)
Be personal
when you can use
I statements. These
are anecdotal, reaffirm your authority and are completely valid;
(8)
Quote your
enemies, especially if they agree with you.
Your friends will always be on your side. If your opponent agrees with
something you do, think or say, then you have a story; and
(9)
Include a
second-person perspective. Bring
the message home. Let the
audience member know what may happen to him or her. Let the people in Pittsburgh or
Allentown know how your information will affect them.
COPYRIGHT � 2000 SECC