EE and The Media
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(1)
Define your message. When planning for an interview, map out the heart of the issue
and think about the outcome first. What do
you want to have happen as a result of the interview?
By knowing in advance what you want to achieve through the interview, you can
better shape the message and more appropriately prepare for it. Refer to the Message Development section for more information.
(2) Know the interviewer and the audience. Regarding the interviewer, consider these and other pertinent issues: What are the interests and perspectives of the interviewer on the issue? Can you watch or listen to her or his previous talk show or interview clips to learn about their interview style and technique? What is their political orientation: conservative, moderate or progressive? Do they tend to challenge, play the devil's advocate or follow the lead of the interviewee? Are they well prepared and know their subject? Do they seem to have an agenda? Regarding the audience, think about some of these issues: What is the general profile of the audience that will watch or hear the interview? How well are you prepared to speak to that audience? Whats the most effective way to communicate your message to the audience? For further information, refer to the Know Your Audience section.
(3) Simplify. Keep your message simple and clear, in both concept and context by focusing on one theme and two or three central, reinforcing points. Refer to the Message Development section.
(4)
Practice. No one was born with a silver
sound bite in his or her mouth! Even the best
spin meisters practice and then practice some more. Practice
the three Rs: rehearse, role-play, revise and then revise some more. Using video feedback seek out the volunteer
services of a professional broadcaster or communications professor to provide constructive
input.
(5)
You are the message. Focus upon your
words, voice tone, facial expressions, gestures and body language to ensure that these
factors enhance rather than distract from your message.
Dramatize, but not excessively.
(6) Control the Interview. Your job is to stay on message. If you do not adhere to the message, the likelihood is minimal that the reporter and editor will use the clip you want them to use from the interview. When asked an irrelevant question, shift the answer back to your central point. This technique is called bridging.
(7)
Being Nervous is normal. Consciously
reframe any nervous energy or fear you may have into excitement and project
enthusiasm for your message. Use breathing,
centering and other relaxation techniques that work for you. For example, deep breathe, stretch and hum (to
relax your vocal cords) just before the interview. Keeping
an eye on your posture, stand flatfooted, roll your shoulders back and lift your chin to
help open the air passage from the diaphragm, the power center of your voice.
(8)
Create a relationship with the interviewer. Just
prior to the interview, prepare the interviewer with the key points you want to cover during the interview and ask
about the questions he or she will raise. Engaging
in a dialogue with the reporter up to the beginning of the interview will keep your voice
warmed-up and help to maintain a comfortable word flow. To help relax yourself and connect with the
audience, occasionally use the interviewers first name at the beginning of your
answers.
(9)
Its okay not to be the Know It All.
If you do not know the answer to a question, say so, but in a way that respects the
questioner and enhances your credibility instead of detracting from it. For example, rather than simply saying I
dont know. try another response like Thats a good question. I dont have the specific details now, but
will get back to you with the answer.
(10)
Use gestures with care. Moderate
gesturing on-camera contributes to making a point and it attracts attention, but remember
this - the camera magnifies everything you do on the air.
Consequently, too much arm, head or body movement can distract your audience from
the message. However, on radio, gestures
wont help influence the audience but they may help you express yourself. In the context of radio, the focus is solely on
the words so every um and ah or long pause is more apparent. Radio is considered an intimate medium for you are
essentially in the listeners living room or car. Therefore, be mindful not to shout, preach or give
a speech, but instead, use a more conversational tone and style.
(11)
Dress conservatively for television. Avoid
bright colors such as whites, reds and stay away from shirts or jacket with narrow
stripes. The stripes will appear as though
they are vibrating. Pastel shirts, solid
jackets and a colorful tie or scarf are the best bets for on-camera appearances. Remove or dont wear bright, dangling jewelry
that may reflect light and distract the viewer. The
bright lights used in studios and other settings may make skin appear pale and blotchy,
therefore, both males and females should use make-up.
(12)
Be prepared. Make sure the technical
equipment such as lighting and sound has been checked out and tested. Regarding personal preparation, repeat Step #4.
(13) Anticipate. Be ready for hostile questions and questioners. Refer to the discussion of Sinkers in the Message Development section.
(14) Remember. Your point of view is the most important thing at
the moment. You are being interviewed because
what you know and think is of value. Visualize
yourself doing very well, staying centered and staying focused on your message during the
interview.
(15) Learn from what you do. Improving performance through video feedback is
easier than ever with the proliferation of personal video equipment. In addition, use radio talk call-in shows to
practice segueing into your message and getting the message out. Developing effective interviewing skills and
public speaking abilities are, in reality, leadership skills. Therefore, acquiring such skills is an excellent
way to help bring on new leaders and spokespeople for your organization and the EE issue.